Saturday, November 22, 2014

IT'S ME AGAIN!

It's Me Again

I needed a small self portrait as an exchange with another artist, so I covered over a piece of paper for the third time and started in.  I don't remember what was on the first layer, but the second was a collage that didn't go well so I used a soft brayer and covered the colored papers with gesso and then, while the gesso was wet, laid a piece of lace on top and pressed more gesso over the piece.  I like how the pattern is dimensional but not a true lace pattern.  I hope I can reproduce this texture again.  it seems that every little element contributes to the final texture...ie, how dry or wet the brayer is, the consistency of the gesso, the surface of the substrate etc, etc.  I covered a clean sheet of watercolor paper in this process, hoping to get the same texture.  Tomorrow I will see if I achieved my goal.

I used the beautiful QOR watercolors, new from Golden Paints.  They seem very rich and rewet easily.   I am surprised that I find a difference from other quality brands, but I think I do.  It will take some more painting to confirm my impressions.  

Wednesday, November 5, 2014

"INCITE 2 Color Passions" HAS ARRIVED!

THE BLUES IN RED
I was excited to receive my complimentary copy of the latest mixed media book, INCITE 2 Color Passions, yesterday.  This is the painting on page 13 that is included in this book.  This is pretty close to the actual color of the painting.  Unfortunately, this image reproduced in the book is very dark and way off.  They use a digital image that I send them so I don't know what happened.  This book is full of very exciting paintings, many of them experimental in technique and/or imagery.  I can't wait to find the time to sit down and really read about each one of them.  

Friday, October 24, 2014

TRANSFORMATION!

MEMORY KEEPER



MEMORY KEEPER DETAIL

This piece of paper has undergone an amazing transformation.  It has been in my files for 3 or 4 years with  a disgusting amount of too lumpy tissue collaged onto portions of the surface.  I tried unsuccessfully to tear it off.  Not wanting to loose a full sheet of watercolor paper but no clue as how to resurrect it, I stashed it away.  Last week I was going through my discards and took it out again.  I had spent some time with Anne Bagby this summer and remembered that Anne sands some of her pieces.  Aha!! I could try to sand down the heavy ridges.  Somewhere, my husband has an electric sander but I couldn't find it, so I put a little elbow grease to work and the paper now seemed salvageable.  Next, I scraped a layer of gesso over the piece and, in a moment of impulse, I took a sheet of beige tissue paper that was sitting on my worktable and pressed it into the wet gesso and then I brayered a thin layer of gesso on top of the tissue using one of those hardware store type of woolly paint rollers.  I finally had a surface I wanted to paint on!  

I decided I wanted to try painting this on an easel  rather than laying it down on my table.  I haven't used my watercolor sticks in a long time so I got them out.  this is a great form of watercolor for a vertical painting because I have much more control over the paint running.  I also have a set of Derwent Intense watercolor sticks which can be used in a similar manner, i.e., draw with them, dip them in water and apply, apply a wet brush directly to the stick to pick up color and use a wet brush to blend and activate the color.  I really enjoyed drawing and scribbling along with the usual painting process.  The liftable surface was great fun to play with and letting gravity play a part in paint runs added to the final result.   

I am excited to try creating another interesting surface to paint on.  

Tuesday, October 7, 2014

FINALLY FINISHED... FLORIDA WATERCOLOR SOCIETY DEMO


"THOUGHTFUL"

Overall, I am satisfied with the painting.  It was not critical that I get an exact likeness, but would have liked to be able to correct a few areas.  Watercolor doesn't allow for that and I draw directly on the paper with paint instead of transferring a perfect drawing.  I prefer the spontaneous over the perfect.  Practicing drawing the image 5 or 6 times in advance helps to get a more accurate spontaneous painting.  Here is one of the preliminary drawings that I did in advance of the demo.



Friday, September 26, 2014

MONO PRINTING WITH ANNE BAGBY.......OH JOY, OH JOY!











At the beginning of September, I had the privileged of teaching with Anne Bagby in her fabulous studio in Winchester, TN.  I taught the second two days, but  Anne taught the first two days and shared some of her techniques for producing wonderful papers by mono printing.  Working with about 12 papers at the same time, one gets variations and a set of papers that are harmonious but each is different because each one has been printed differently but using a consistent palette.  Variations on a theme, as it were.  These papers came out so much more "finished" than my normal mono printing style.  I am not sure how I will use them, but I am anxious to try my hand at creating another series in this vein.  Anne has an amazing collection of hand made stamps and stencils.  She generously shared these with us.  I need to create a few more of my own before make more papers.  I can't wait to get started!




Tuesday, September 23, 2014

IT'S AN HONOR!


HOME ALONE

I have just returned from an incredible two weeks immersed in art, teaching, learning, friendship and gratitude for the life I live!  While away from home, I learned this painting has received the President's Award from the International Society for Experimental Art (ISEA).  I am very honored.  I wish I was able to attend their event but I was teaching in Florida at the time.  Hopefully, next year.  It is great to have an organization dedicated to those of us who like to push the envelope a little (or a lot!)

This morning, I received a note that this painting is also featured on the Artist's Network blog post excerpted from the Acrylic Artist magazine. 
Here is the link to see the article and read how this painting came about.  http://www.artistsnetwork.com/articles/art-demos-techniques/painting-with-acrylic-an-ever-curious-approach-to-art-making?lid=CHarnac092314

As soon as I am able to download all the photos from the past two weeks and clear my brain, I will share some wonderful moments and new ideas that developed.

Tuesday, August 26, 2014

LATEST PLANE AIR PAINTING!

SKETCHCLUB Digital Painting
Just back from a family reunion weekend.  To pass the time on the plane, I like to practice drawing and painting with one of the many art apps I have on my iPad.  Sketchclub is my favorite because it is easy to change settings quickly and they have a setting called "sketchy" that produces a very interesting effect.  I wish I could figure out how to do that with traditional drawing materials.  I selected the largest size for my drawing and it created this very long format.  

Now, to get back into a regular schedule!

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